Transmogrified Tiger wrote:No kidding, it's a wicked blustery day.planet pujolsian wrote:Beautiful day for baseball in St. Lou! Should be a windy one.
AHHH NEED BASEBALL TO START NOW.
I still have to get the re-make of Tubular Bells. I heard a portion of it on youtube and it's an interestingly different take on it; he said it's the kind of sound he wanted to make for it in the original when the synthesizer technology wasn't available yet. I'll have to order that one sometime soon(I'm trying to complete my collection, I have just about every other album he's made).Jmodene wrote:Cronos - before I forget, I wanted to thank you for the Mike Oldfield mention in your sig; I just got the re-make of "Tubular Bells" in the mail this week and it's marvelous (although I still kind of prefer the original, which I already had) - I've never quite figured out, though, what that Klingon opera was doing in there after the Scottish bit.
It's amazing stuff. If you want to find any of the albums, I got most all of them off of Amazon. Really cheap, typically re-mastered(some people don't like it that way, but I do), and pretty readily available.Jmodene wrote:'Preciate the headup on TB2. I'll see if I can't find it somewhere.
The sound on the new version (Tubular Bells 2003) is definitely richer, and the differences (while obvious to someone who's listened to the original dozens, if not hundreds, of times) are interesting; the only ones I didn't like was his going into spanish guitar in the middle of the scottish thing - tended to ruin the pulsing "drive" of the piece, which is one of my favorites - and the new narration for the parade of instruments, going from the understated narration of Stanshall to the overacting of Cleese.
Then again, when I think of it, using Cleese at the end of the first half is no less silly - and thus workable - than the sailor thing at the end of the second half, which cracked me up when I first listened to the album many years ago - it punctured any potential pretentiousness right out of it and left me feeling very good about the whole experience, so perhaps Cleese's version will grow on me. "Grrrrrrraand piano", indeed!
Try listening to the set while drifting off to sleep (especially the Part 1 finale, which has also been known to reduce me to tears by the time the chorus kicks in after the bells); it's an otherworldly experience you can't imagine. Also, for those who've been to then-Bank One Ballpark in Phoenix - they used to play an instrumental theme as they would close the roof prior to a ballgame that was very reminiscent of the Scottish thing from Part 2.
Somewhere, in a box buried deep in my garage or spare bedroom, I've got "The Space Movie", recorded off Showtime or somewhere, which uses much of Tubular Bells as the soundtrack.
A true masterpiece. And a real head-turner when I'm playing it on my car stereo.
TB 2 is about an hour in length(I just pulled it up in winamp: 58:41 to be exact), and each half of TB 1 was about 20 something minutes, so that's about right. It also is basically split into two halves(which will be easy to hear if you're familiar with 1) though Mike was forced to split it up into tracks due to demands by the Virgin record label. If you rip it to your hard drive like I do with every CD I buy, rip the entire album as one song for it to make total sense, or listen to the CD the whole way through in one go, don't try to listen to the tracks individually. It's impossible to get the idea of the composition that way.Jmodene wrote:Found TB2 on Ebay; should get it in a week or two. Looking forward to it; Wikipedia notes it's about 20 minutes longer than the original. Is that right?